

Since Kris is one of the few of my favorite artists I have yet to see in a live settng (M.O.P. Physical copies "Never Forget" was sold exclusively directly by KRS-One during his US and European Tour last year, which explains the very little promotion it received. Therefore I was quite stunned that Kris One actually released a full-length album in the summer of 2013.

While some of his post 2000 albums have been hit or miss, featuring both wack discs and terrific music, I still always check for Kris' new music either way, and although maybe the majority of his ouput lately has been quite so-so there's also albums such as "Survival Skills", "Kristyles" (the original version) and "Meta-Historical" are all excellent joints proving Kris is still a lyrical beast. His 2012 effort, The BDP Album, was nostalgia from a different angle, reuniting the rapper with former BDP DJ Kenny Parker.Between Nas, Rakim and Ghostface Killah, KRS-One has been my favorite emcee for years and his catalouge is definitey no laughing matter. The following year KRS-One buried the hatchet with Marley Marl in order to create Hip Hop Lives, an attempt to preserve the golden age of hip-hop. In 2006 Life came out on the small, California-based Antagonist Records. In 2003 KRS-One released two albums, Kristyles and D.I.G.I.T.A.L., while the next year brought only one, Keep Right. The following year brought two full releases: the gospel effort Spiritual Minded and The Mix Tape, the latter including a single ("Ova Here") that stood as a response to Nelly, only the latest hip-hop figure to feud with the Blastmaster. After 1997's I Got Next, he put his solo career on hiatus for several years, finally returning in early 2001 with The Sneak Attack. Still, he forged on with a high-quality self-titled 1995 effort and 1996's Battle for Rap Supremacy, a joint effort with his old rival MC Shan. KRS-One's first solo album, 1993's Return of the Boom Bap, was an extension of the more direct approach of Sex and Violence, yet it didn't halt his commercial decline. 1992's Sex and Violence was the first sign that he was taking a harder approach, one that wasn't nearly as concerned with teaching. As a reaction, KRS-One began to re-establish his street credibility with harder, sparer beats and raps. At the height of his career, roughly between 19, KRS-One was known for his furiously political and socially conscious raps, which is the source of his nickname, "the Teacher." Around the time of 1990's Edutainment, BDP's audience began to slip as many fans thought his raps were becoming preachy. KRS-One (born Kris Parker) was the leader of Boogie Down Productions, one of the most influential hardcore hip-hop outfits of the '80s.
